Oxford, Mississippi, 1933.
Abandoned by her mother one Christmas Eve, eleven-year-old Meg Lefleur has learned the hard way to rely on no one. Now one of the unadoptable "big girls" at the Lafayette County Orphan Asylum, she fights each day to keep her spirit unbowed.
Birdie Calhoun, unmarried and outspoken, has come to Oxford to ask her socialite sister to help the struggling family she's left behind. But as the Depression tightens its grip, Birdie discovers her sister's seemingly charmed life is a tapestry of lies.
Then, Birdie encounters Charlie, a woman running low on luck with little left to lose. When their fates--and Meg's--converge, Charlie comes up with an audacious plan for them to take control of their lives. But in a place and time where hypocrisy is rife and women's freedom is fragile, even the smallest act of defiance can have dangerous consequences.
The Calamity Club will make you laugh, cry, and cheer--an epic testament to underestimated women who know that calamity can be the spark of new beginnings. This is Kathryn Stockett at her most confident, heartfelt, and hilarious--the triumphant return of one of the most beloved storytellers of our time.
Kathryn Stockett
Kathryn Stockett is an American novelist best known for her bestselling debut novel, *The Help*. Born and raised in Jackson, Mississippi, Stockett drew on the setting and social dynamics of the segregated American South to create a story centered on race, class, domestic work, friendship, and the risks involved in challenging deeply entrenched social expectations.
Set in 1960s Mississippi, *The Help* follows three women—Aibileen, Minny, and Skeeter—whose lives become connected through a secret writing project documenting the experiences of Black women working as domestic employees in white households. The novel became an international bestseller and was later adapted into an Academy Award-winning film.
For readers drawn to character-driven historical fiction and stories that generate conversation, Stockett’s work explores complicated relationships across racial and social boundaries during the Civil Rights era. *The Help* also invites discussion about whose stories are told, who gets to tell them, and how race and history are represented in fiction.
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